“Like the reef itself,” she says, “my work uses a number of underlying structures – interdependence, diversity and scale – to organise collective empathy.” One interactive installation, an unfired clay model of a bleached ocean floor, gets trampled during viewing. “My aim is that once people are back in the natural world, they’ll be more cognisant of how their behaviour might be harmful to the environment and inspire action to care for the oceans and coral reefs, and consequently, the whole planet.” Wander (and wonder) at her website.